College of Visual and Performing Arts (CVPA)

Remembering William Reeder, College of Visual and Performing Arts founding dean

Colleen Rich — Thu, 17 Apr 2025 18:07:14 +0000

Remembering William Reeder, College of Visual and Performing Arts founding dean Colleen Rich Thu, 04/17/2025 - 14:07

William Reeder, the founding dean of George Mason �鶹��’s College of Visual and Performing Arts (CVPA), died April 12, 2025, after a battle with pancreatic cancer. He was 80.

William Reeder. Photo provided

Reeder joined George Mason in 2001 to lead the newly formed college after a distinguished career as an operatic tenor and arts administrator. Prior to joining George Mason, Reeder served as vice president and general manager of the Washington Performing Arts Society, executive director of the Levine School of Music in Washington, D.C., president of the Saint Louis Conservatory of Music, and executive director of Opera Music Theatre International.

For eight years, Reeder was a leading operatic tenor in the Zurich Opera Company. As a professional singer, he performed more than 40 leading tenor roles in 15 major opera houses throughout Europe.

Through his efforts, the college grew its operating budget from $9 million to $30 million and oversaw the development of $150 million in new facilities, fueled by both philanthropic and public investment.

Reeder had a hand in physically transforming the arts landscape on the Fairfax Campus, securing for CVPA the planned Academic V facility, now known as the award-winning Art and Design Building, and coordinating philanthropic, state, and university support for the de Laski Performing Arts Building addition and renovation of what became the Music Theater Building.

Some say his crowning achievement was the successful realization of a long-held community vision for an arts center serving Manassas and Prince William County—the Hylton Performing Arts Center on the Science and Technology Campus.

“Bill's tenacious, loquacious, always-optimistic advocacy, expressed in countless breakfast meetings in diners, neighborhood gatherings, political forums, and rounds of golf with prospective supporters, led to the creation of the Hylton Performing Arts Center,” said CVPA Dean Rick Davis. “At times it seemed as if Bill was almost single-handedly willing the center into existence—but it was really his tireless behind-the-scenes coordination of university, civic, and volunteer energy that carried the day.”

Davis said Reeder was honored for his accomplishment at the Hylton Center’s fifth Anniversary Gala in 2015.

“At this year's gala, we will take a moment—or three—to remember Bill's foundational contributions,” Davis said.

Reeder also held the Heritage Chair of Cultural Criticism and was named a Virginia Eminent Scholar.

After stepping down as dean in 2015, he continued to teach at George Mason as a faculty member in the Arts Management Program, one of three new academic programs (including Film and Video Studies and Computer Game Design Programs) launched under his leadership. These programs have helped shape CVPA into the comprehensive arts college that it is today.

“Bill will be remembered for his energetic and passionate advocacy for artists of all kinds and at every stage of their journeys,” said Davis. “I will always be grateful for his friendship and mentorship over 25 years of personal and professional collaboration.”

Details regarding memorial arrangements are forthcoming.

The college is inviting the university community to share memories and photographs of Reeder through this form.

Topics

Faculty and Staff News

College of Visual and Performing Arts (CVPA)

New art course teaches students how to think differently about design

Shayla Brown — Wed, 02 Apr 2025 15:49:48 +0000

New art course teaches students how to think differently about design Shayla Brown Wed, 04/02/2025 - 11:49

“Furniture isn’t just a tangible item that’s supposed to mold to your body, but it can also mold to your lifestyle,” said Katherin Salazar, a George Mason �鶹�� senior art and visual technology major.

She is currently taking a new College of Visual and Performing Arts special topics course, AVT 496, which focuses on furniture design and is offered through the university’s School of Art.

AVT 496 students discussing their sculptures. Photo by Ayman Rashid/Office of �鶹�� Branding.

“The goal is to teach students about the power of furniture and how the built environment is constantly communicating and reorchestrating hierarchical structures,” said Mallory Kimmel, a Washington, D.C.-based interdisciplinary artist who created and teaches the course.

“We’re learning how to cultivate a greater awareness of the intended power dynamics in space, and also to become a curator of reshaping hierarchies in space to be more oriented to social justice ethos,” she said.

Salazar, who has contracts with Smithsonian Folklife Festival and Skate Folk creating competitive atmospheres that serve as a gateway for local skaters, is currently building a quarter pipe ramp for a class project.

AVT 496 student showcases the functionality of a sculpture. Photo provided.

“The techniques we’re learning in this course go hand in hand with building a lot of structures related to skating,” said Salazar, who works as a student monitor in the university’s Sculpture Studio under the supervision of Ben Ashworth, sculpture and foundations supervisor in George Mason’s School of Art.

“Mallory and Ben have taught me the ways of the art world and how it's constantly changing and growing. The biggest lesson I’ve learned so far is to take pride in my skills and realizing the worth of them,” she said.

As a part of the course, the students will tour the National Gallery of Art and put what they’ve learned to practice by identifying and recommending ways to create a more welcoming environment for people to experience the art.

The students will also present how their finished sculptures address hostile architecture, which Kimmel defines as the “built environment containing features that aim to reject certain people or behaviors.”

An example of hostile architecture is public benches that have handrails in the center so that it's prohibitive for the houseless population to lay down, explained Kimmel.

AVT 496 student showcases the functionality of a sculpture. Photo provided.

“[This course] has allowed me to expand my thinking beyond just the functions of furniture, but about its design ethics and the body itself,” said Roland Payabyab, a senior art and visual technology major.

For Payabyab’s first project, he focused on posture in honor of his parents.

“I'm noticing as they age, they're developing a lot of back problems, so I'm creating a bench meant to relieve some of that pain by incorporating a function within this piece to move with them as they need, for example, when they’re bending over to put on shoes,” he said.

Payabyab was able to build his project with techniques, such as woodworking and joinery.

AVT 496 students discussing their sculptures. Photo by Ayman Rashid/Office of �鶹�� Branding.

“Joinery was one of the things I was most excited to learn about, and it just so happened to be the first topic we would cover,” said Payabyab. “Now I know how to combine different materials without nails or screws to build my sculptures, which is great for me because that’s what I’d like to do as a career after I graduate.”

In This Story

Mallory Kimmel

Benjamin Ashworth

Topics

College of Visual and Performing Arts (CVPA)

National Gallery of Art

Mason Korea to Host 2025 Korea-US-Japan eSports Tournament

Pam Muirheid — Thu, 27 Mar 2025 15:35:54 +0000

Mason Korea to Host 2025 Korea-US-Japan eSports Tournament Pam Muirheid Thu, 03/27/2025 - 11:35

Original article written by Lee Sang-beom in N News (Korea), March 25, 2025:

George Mason �鶹�� Korea will host the '2025 Korea-U.S.-Japan eSports Tournament' in collaboration with the U.S. Embassy in Korea, the U.S. Embassy in Japan, and Coupang. Photo by Ji Kang

George Mason �鶹�� Korea, in collaboration with the U.S. Embassy in Korea, the U.S. Embassy in Japan, and Coupang, will host the 2025 Korea-U.S.-Japan eSports Tournament, a global initiative to foster strategic thinking, teamwork, and digital engagement among young gamers from Korea, the U.S., and Japan.

This tournament is an innovative global program where participants will learn teamwork, leadership, and conflict resolution through gaming as an eSport, and is an educational platform that develops essential cognitive and collaborative skills in a competitive environment while strengthening trilateral relations among Korea, the United States, and Japan. The eSports Tournament is open to young Korean, American, and Japanese citizens aged 20-39, and requires English communication skills.

Participants will participate in online training and weekly activities from April to May, and will participate in the eSports tournament in Incheon in June.

Through this tournament, George Mason �鶹�� Korea will provide a special opportunity for young gamers to communicate with peers from diverse cultural backgrounds and improve their problem-solving skills, adaptability, and leadership capabilities. Professor Sang Nam, Professor of Computer Game Design at George Mason �鶹��, Co-Director of Virginia Functional Game Research Institute, and Director of Korea Functional Game Research Institute, said:

"This '2025 Korea-US-Japan eSports Tournament' is an innovative platform designed to promote digital literacy, cross-cultural collaboration, and leadership development beyond games as entertainment and competition." He added, "We are pleased to demonstrate the role of eSports as a bridge to strengthen trilateral cooperation among Korea, the United States, and Japan."

“The trilateral partnership among the United States, Japan, and Korea is a vital component of our shared effort to ensure safety, security, and prosperity in the Indo-Pacific region,” said Joshua Lustig, Public Diplomacy Officer at the U.S. Embassy in Seoul. “We anticipate that the 2025 Korea-U.S.-Japan eSports Tournament will bring our three countries closer together by further strengthening the network of youth champions among them.”

The program is fully sponsored by Coupang through a public-private partnership with the U.S. Department of State, and the event is co-hosted with Company E, a Washington, D.C.-based nonprofit.

The application deadline for the event is March 28, and eSports training and in-person eSports tournament matches will take place starting April 5.

In This Story

Sang Nam

Visit Mason Korea

Topics

Computer Game Design

Mason Korea

College of Visual and Performing Arts (CVPA)

Campus News

Strategic Direction

Renowned American Composer Joins the Dewberry School of Music for a Mason Opera Residency

Emily Schneider — Thu, 20 Mar 2025 20:00:05 +0000

Renowned American Composer Joins the Dewberry School of Music for a Mason Opera Residency Emily Schneider Thu, 03/20/2025 - 16:00

In This Story

Prof. Richard Leech

Prof. Patricia Miller

George Mason �鶹�� students and Mason Arts’ audiences have a rare opportunity to experience the music and creative insights of one of America’s most successful and prolific composers of art song, opera, and musical theater, Ricky Ian Gordon.

Ricky Ian Gordon, world-renowned composer, writer, and educator.

Gordon will be an artist-in-residence with Mason Opera, within George Mason’s Reva and Sid Dewberry Family School of Music from April 14-18, 2025.

During this week-long residency, Gordon will work with the school’s voice, musical theater, and composition students in class and individual sessions, many of which will be open to the public. Students will work with him on pieces from his extensive catalog of vocal music, and Mason Opera will present the first university production of his stunning opera 27.

Gordon will return for Mason Opera’s performances of 27 on April 25–27 in Harris Theatre on the university’s Fairfax Campus, where he will introduce each performance with his own insights about this unique and engaging opera.

“We are thrilled and very fortunate to have celebrated American composer, Ricky Ian Gordon as an artist-in-residence at George Mason �鶹��," said George Mason’s Voice Area and Opera Program Director Professor Patricia Miller, "and to have our Mason students in vocal studies, composition and opera, experience firsthand the brilliant artistry of his art song compositions and his outstanding opera 27.”

After studying piano, composition, and acting at Carnegie Mellon �鶹��, Gordon settled in New York City, where he quickly emerged as a leading writer of vocal music that spans art song, opera, and musical theater. Mr. Gordon’s songs have been performed and or recorded by such internationally renowned singers as Renee Fleming, Dawn Upshaw, Nathan Gunn, Judy Collins, Kelli O’Hara, Audra MacDonald, Kristin Chenoweth, Nicole Cabell, the late Lorraine Hunt Lieberson, Frederica Von Stade, Nadine Sierra, Andrea Marcovicci, Harolyn Blackwell, and Betty Buckley, among many others.

Stephen Holden, writing in the New York Times said, “If the music of Ricky Ian Gordon had to be defined by a single quality, it would be the bursting effervescence in fusing songs that blithely blur the lines between art song and the high-end Broadway music of Leonard Bernstein and Stephen Sondheim…It’s caviar for a world gorging on pizza.”

Mason Opera stage director and celebrated former Metropolitan Opera tenor Richard Leech, now George Mason faculty, said, “I am inspired every day by our wonderfully talented students as they meet the challenges, and discover the joy of presenting a work as brilliant as Ricky’s 27. We couldn’t be more excited to have him join us to work with our students on interpreting his music. It is an honor.”

In 27, the audience is invited into the famed Paris salon, located at 27 Rue de Fleurus, of American writer, Gertrude Stein and her wife, Alice B. Toklas, as the two weather both world wars. Along the way, while the paintings sing, the audience meets Picasso, Matisse, Hemingway, Fitzgerald, and others among the great artists and writers that Stein hosted and mentored. Originally commissioned by the Opera Theater of St. Louis, 27 received its world premiere in 2014. In a score of just over 90 minutes, Gordon’s spritely music and Royce Vavrek’s clever libretto take the audience on a journey spanning two world wars and give a clear-eyed look at the inspiring and controversial life of this legendary author.

Commenting on his residency at George Mason, Gordon wrote: “I am so looking forward to working with the incredible Richard Leech on an opera of mine that is SO DEAR TO MY HEART! 27 sprang to mind in an INSTANT when I was asked to write an opera for Stephanie Blythe, as Gertrude Stein and Alice B. Toklas are lifelong heroes of mine, and their salon became for me a paradigm of how I wanted my life to look, and for George Mason to be doing the first college production is thrilling as well as brave and innovative! Bravi tutti!”

Residency events open to the public include:

Meet the Artist & His Music – Ricky Ian Gordon

Monday, April 14, 2025
12:30 – 1:20 p.m.
Harris Theatre, Fairfax Campus

Vocal Masterclass with Ricky Ian Gordon

Wednesday, April 16, 2025
12:30 – 2:30 p.m.
Monson Grand Tier III
Center for the Arts, Fairfax Campus, George Mason �鶹��

Mason Opera presents 27

*Each performance will feature an introduction by the composer:

Friday, April 25, 2025 at 8 p.m.
Saturday, April 26, 2025 at 2 p.m. and 8 p.m.
Sunday, April 27, 2025 at 3 p.m.

Performances will be in Harris Theatre on the Fairfax Campus of George Mason �鶹��

Tickets: $20 General public, $15 Seniors, and $5 Students

There is also a standing ticket offer for individuals impacted by federal layoffs, which can be applied to the Mason Opera performances.

Topics

Reva and Sid Dewberry Family School of Music

College of Visual and Performing Arts (CVPA)

Dewberry School of Music

Students

Design students collaborate with Stillhouse Press to create potential covers for new novel

Katarina Benson — Mon, 10 Mar 2025 13:52:33 +0000

Design students collaborate with Stillhouse Press to create potential covers for new novel Katarina Benson Mon, 03/10/2025 - 09:52

In February, George Mason �鶹�� students in a publication design course had the opportunity to design book covers for a novel that is being published by the university’s Stillhouse Press, an independent small publisher affiliated with the English Department.

Stillhouse Press has previously worked with School of Art professors to design covers, but this type of collaboration is new. Professor Michael McDermott has previously worked on book covers for the press and suggested turning cover creation into a class project for his AVT 313 Publication Design course. The project can potentially serve as a way to identify students who could work on a cover for this book or a different one in the future.

Students look at the proposed cover designs. Photo by Evan Cantwell/Office of �鶹�� Branding

“We’re very happy to be here and see what these students have done,” said Scott W. Berg, English professor and publisher and editorial advisor for Stillhouse Press. “It’s rare that we get to see so many designs for one cover.”

Students had about a month to create covers for an upcoming Stillhouse title, Ryan Habermeyer's Necronauts. After discussing the book’s motifs and themes, students were given the actual dimensions of the book to work with. For the assignment, they were expected to create five designs and then narrow it down to just one or two. The goal was to make the project as realistic as possible.

“The exercise demonstrates cross-discipline collaboration on a real-world book project, design and marketing, and experiential learning,” said Gregg Wilhelm, director of George Mason’s Creative Writing Program and cofounder of Watershed Lit: Center for Literary Engagement and Publishing Practice. “It’s so much more than aesthetics. You have to think about design costs and selling the book as well.”

Art and visual technology major Henry Phan said he’s enjoyed working on the project. “It’s taught me a lot about cover design and made me consider things I haven’t before,” he said.

Students who enjoyed working on the covers can add a minor in dynamic publishing, which involves coursework in both the English Department in the College of Humanities and Social Sciences and the School of Art. The six-course minor, which offers art and design or editorial and publishing tracks, prepares students for work in the publishing industry.

Grace Wood, a creative writing major minoring in dynamic publishing and a reader for Stillhouse Press, attended the event. “As a writer, it’s really cool to be a part of this. Seeing people work on these covers inspires me to write a book that would be worthy of a good cover,” she said.

“Stillhouse Press, like all of Watershed Lit, is deeply committed to this kind of hands-on, cross-curricular learning as a crucial component of our students' professional preparation, said Berg.

Discover more about Stillhouse Press

Topics

College of Humanities and Social Sciences

College of Visual and Performing Arts (CVPA)

Students

innovative classes

CVPA Announces Recipients of the 2025 Young Alumni Commissioning Project Awards

Emily Schneider — Wed, 19 Feb 2025 16:28:07 +0000

CVPA Announces Recipients of the 2025 Young Alumni Commissioning Project Awards Emily Schneider Wed, 02/19/2025 - 11:28

George Mason �鶹��’s College of Visual and Performing Arts (CVPA) announces the recipients of the sixth round of its Young Alumni Commissioning Project Awards. Two alumni were chosen based on the artistic excellence, career impact, and feasibility of their proposals and will receive financial, marketing, and production support to have their projects presented by the college at a Mason Arts venue during the 2025–26 season.

“This year’s Young Alumni Commissioning Project Awards continue our mission to support emerging artists across the spectrum of disciplines that we practice and teach in Mason Arts. The projects are compelling in both form and content, rising to the top of a very competitive pool of proposals,” said College of Visual and Performing Arts Dean Rick Davis. “We are equally excited to showcase the work we’ve supported in recent cycles, proving the value of this program not only to the artists themselves, but to the community at large, as we add more highly accomplished artistry to the world’s inventory.”

Brianna Camp is the 2025 recipient of the Young Alumni Commissioning Project Award. Photo provided

Brianna Camp

Brianna Camp, BFA Art and Visual Technology ’23, received the Young Alumni Commissioning Project Award and $5,000 in commissioning support for Flare: Finding a Sense of Place in the Chronically Ill Body. This work will consist of a series of large-scale oil paintings, each accompanied by documentary photographs and poetry. In exploring her personal experiences with navigating the ebb and flow of her chronic illness, Flare offers audiences the chance to reflect on how we process pain over time and the vastness of the potential for healing.

Camp is interested in pursuing a career in art therapy and hopes this project will serve as a starting point toward her future practice. Reflecting on her time at George Mason and the impact that the faculty had on her development as an artist, Camp said, “When I make work from a place of authenticity, allowing for potential mistakes, changes, and discoveries, I am able to get closer to expressing what feels true. Their belief in me helped me find my voice and understand the importance of sharing my perspective. I hope to create my project from this place of openness and authenticity that they helped foster within me.”

Marina Vianello is the recipient of the 2025 Young Alumni Creative Development Award. Photo provided

Marina Vianello

Marina Vianello, BFA Dance ’18, received the Young Alumni Creative Development Award and $2,500 in commissioning support for Three Generations of Bach, an intergenerational multimedia dance work. Vianello will work with her mother, Andrea Skowronek, a retired professional dancer, to recreate and blend together inspiration from an original dance work that Skowronek developed early in her career, set to music accompaniment from her own father. Collaborating as co-directors on this new piece, Vianello and Skowronek will incorporate live flute accompaniment of Bach’s Partita in A Minor, video footage of Skowronek performing as a young woman, and live performances by Vianello and Skowronek—solo and together.

A professional dancer and choreographer herself, Vianello aims to explore how the passage of time affects movement, memories, and mindsets, and wants audiences to consider what is lost and what is gained as one ages and releases themselves from the limits of ageism and judgment. Reflecting on her journey after graduating from George Mason, Vianello shared, “I have such admiration for the dance artists who continuously create opportunities for themselves and others, and this is something I champion and will always strive for and hope to forever do.”

Over the past five years, 18 CVPA alumni have been granted awards anywhere from $2,500 to $5,000 to support the creation of a new artistic work for projects in film, dance, visual art, music, and game design. To be considered for this year’s award, applicants must have graduated from CVPA from the class of 2014 and after. Proposals could include original new work in any art form suitable for performance, exhibition, or screening in a Mason Arts venue. The size, length, duration, magnitude, and content are at the artist’s discretion. Potential venues include George Mason’s traditional theater spaces, galleries, and cinemas, but proposals for non-traditional venues, including digital spaces, were also considered.

During the 2023–24 award cycle, Jumana Al Refai, BFA Dance ’17, received the Young Alumni Commissioning Project Award and $5,000 in commissioning support for Tashkeel َتْشِكيل,, a short film that explores all aspects of “Haraka”—the Arabic word for movement. Rebecca Wahls, BFA Theater ’15, received the Young Alumni Creative Development Award and $3,000 in commissioning support of Him, a feature-length ensemble comedy film. The film follows the final five contestants on a reality dating show, whose world is turned upside down as they discover a dark truth about their “suitor.” Wahls directed, co-wrote, and co-produced Him, alongside actor and writer Trey Higgins. The screening at George Mason’s Fairfax Campus will take place on March 21, and a screening at Carnegie Mellon �鶹��’s Los Angeles Campus is also planned.

The Young Alumni Commissioning Project is made possible by a generous bequest from the estate of Linda E. Gramlich for the support of young artists, and by donors to George Mason’s previous Giving Day, including Shugoll Research.

About the 2025 Award Recipients

Brianna Camp (she/her) is a visual artist living in Fairfax, Virginia. She received her Bachelor of Fine Arts degree with a concentration in painting from George Mason’s School of Art in 2023. Camp plans to combine her creative practice with her passion for social engagement and advocacy. In the coming years, she hopes to receive a graduate degree with a focus in art therapy. Camp’s first solo show, Lightkeeper, debuted at the Lake Frederick Shenandoah Lodge Art Gallery in December 2023. Her work has been shown at other galleries across the Northern Virginia area including the Kunsthaus Gallery, Open Space Arts, The Torpedo Factory Art Center, and the Gillespie Gallery at George Mason �鶹��. Camp will be a guest artist at the Torpedo Factory Art Center in February 2025. She has also participated in chalk art events, receiving first place in the professional category at ChalkFest in Reston, Virginia, and Chalk the Walk in Virginia Beach, Virginia. Camp’s paintings, murals, and drawings emphasize light and utilize an impressionistic and painterly approach. As a chronically ill artist, Camp is inspired by the healing connection that can be facilitated through art, both on a personal and societal level. She recognizes art as a potential form of social action and as a tool to build community. Her site-specific works and murals often involve her peers and local organizations. Camp is drawn to portraiture and landscapes in her more personal pieces. She finds her artistic process to bring inner healing, allowing her to process pain and uncover the places where the light shines in.

Marina Vianello is a dance artist, choreographer, and arts administrator based in New York City. She grew up in Kansas City, Missouri, and began her training at City in Motion Dance Theater’s School of Dance. She graduated magna cum laude with a BFA in Dance and a minor in global systems from George Mason, where she was awarded an annual Dance Talent Scholarship. Throughout college, she was cast in pieces by Alejandro Cerrudo, Robert Battle, Lar Lubovitch, Susan Shields, Christopher d’Amboise, and David Grenke, and she choreographed three pieces for the Mason Dance Company. She has trained with the Mark Morris Dance Group on full scholarship, with Rioult Dance NY, with DanceWorksChicago, and with Shannon Gillen at the b12 dance festival in Berlin, Germany where she performed at the dock11 theatre. Professional performance credits include the Lyric Opera of Kansas City (West Side Story and The Pearl Fishers), Yoo & Dancers (92NY Artist in Residence), JKing Dance Company, As Arts NY Dance, and Terre Dance Collective. She is fluent in French and has performed internationally at Châteaux en Fêtes (Festival of Castles) in Dordogne, France, and recently returned for their 2024 festival. She currently dances professionally with Ballaro Dance, Mari Meade Dance Collective, and Arsenal Movement Dance Project. Her choreography has been presented at the Tada Theatre, Chain Theatre, and Arts on Site in NYC, and the Gem Theater and Folly Theater in Kansas City. She teaches dance and Pilates throughout NYC and serves as the Director of Operations for Pony Box Dance Theatre.

In This Story

Rick Davis

Learn More About the Young Alumni Commissioning Project

Connect with the College of Visual and Performing Arts

Topics

College of Visual and Performing Arts (CVPA)

School of Art

College of Visual and Performing Arts School of Dance

Alumni

Young Alumni Commissioning Project. alumni support

Scholarships

Strategic Direction

The College of Visual and Performing Arts Launches Initiative to Renovate Center for the Arts

Kirstin Franko — Mon, 03 Feb 2025 21:53:20 +0000

The College of Visual and Performing Arts Launches Initiative to Renovate Center for the Arts Kirstin Franko Mon, 02/03/2025 - 16:53

George Mason �鶹��’s College of Visual and Performing Arts (CVPA) announces the public launch of the Give Voice initiative, a $35 million fundraising effort to renovate and modernize the Center for the Arts into a state-of-the-art venue. The Give Voice initiative is part of Mason Now: Power the Possible—the university’s first one-billion-dollar comprehensive fundraising campaign to support student success, research, innovation, community, and stewardship.

“For decades, our Center for the Arts has been a beacon for talent and innovation, a proving ground for students learning their craft and pursuing their passions, and home to world-class performances as the cultural hub of our region," George Mason �鶹�� President Gregory Washington said. “The Give Voice initiative will ensure that the arts remain a front door to the university, as they have been for 6.5 million patrons who have been enriched and inspired by their shared experiences in this storied building.”

Built in 1990, the Center for the Arts has supported the early work of George Mason �鶹�� students whose careers led them to Broadway, and has hosted Grammy, Tony, Emmy, and Academy Award-winning artists—and U.S. presidents. The modernization aims to improve and enhance the venue’s ability to support the needs of artists, audiences, and the students and faculty of CVPA. It will include major technological and acoustical upgrades; improved accessibility, sightlines, and aesthetics; additional aisles on Orchestra and Balcony levels; a remodeled lobby; expanded teaching and rehearsal spaces; a new donor lounge; expanded restrooms; and more.

Architectural concept rendering of the Center for the Arts Concert Hall by Quinn Evans.

“So many people have told us that there are really two eras in George Mason history—before and after the Center for the Arts opened its doors,” CVPA dean Rick Davis said. “I think this transformation will be thought of in the same way in years to come, as we create a modern, technology-rich, visually stunning, and artist-and-audience friendly home for all who enjoy the arts, whether as a creator or an audience member.”

The Give Voice initiative quietly began with a $10 million gift from Barry Dewberry and Arlene Evans, which was announced in April 2022 as part of George Mason’s 50th anniversary celebration. Their transformative gift set the stage for this capital initiative towards the reimagining of the Center for the Arts for future generations. Upon the conclusion of its renovation, the Center for the Arts will be renamed the Barry Dewberry and Arlene Evans Center for the Arts in recognition of their visionary support.

“My father, Sid Dewberry, was one of the founding fathers of George Mason and he had a special fondness for music,” said Barry Dewberry. “Towards the end of his life, Arlene and I saw the need to pick up the baton and continue supporting George Mason and Mason Arts. We recognize the important role the Center for the Arts plays and what this renovation will do to heighten the experience for students, visiting artists, and the public. Arlene and I are honored to make the lead gift for the Give Voice Initiative, and we look forward to seeing the exciting results.”

Arlene Evans and Barry Dewberry. Photo by Chia-Chi Charlie Chang.

In addition to the Dewberry/Evans gift, the Center for the Arts has also secured a $6 million gift from the Peterson Family Foundation. The Peterson Family gift—announced in May 2024—specifically supports enhancements to the Center for the Arts’ Concert Hall and lobby. These spaces will be renamed the Peterson Auditorium and the Peterson Family Lobby, respectively.

With the Dewberry/Evans and Peterson gifts, along with many other instrumental philanthropists pledging support, Give Voice has raised nearly $18 million of its $35 million goal. An additional $35 million toward the reimagination of the Center for the Arts is anticipated to come from George Mason �鶹��.

The Give Voice initiative was officially announced at the Mason Arts Elevated event held on February 5 at the Center for the Arts. The event brought together distinguished donors, university and local leaders, and VIP guests. At the event, President Washington spoke about the importance of this renovation initiative for Mason Arts and was joined by Dean Davis, who highlighted the new plans for modernizing the Center for the Arts. Also in attendance during the event were Provost James Antony and President of the George Mason �鶹�� Foundation and VP for Advancement and Alumni Relations Trishana E. Bowden.

Mason Arts is the collective presence of the arts embedded throughout George Mason. In addition to CVPA, Mason Arts includes seven community arts programs, galleries across three campuses, and multiple performance venues—both physical and digital.

Part of the Mason Now: Power the Possible campaign, the event also brought awareness to additional fundraising priorities across Mason Arts, including student scholarships; the development of a George Mason Arts District with sculpture installations on the Fairfax Campus; expanding facilities for the growing Film and Video Studies and Computer Game Design programs; support for chair positions and professorships to recruit and retain outstanding faculty; funds to create a concept plan for an art museum; and the Hylton Center for the Performing Arts Endowment Fund supporting its performances and arts education opportunities for the public, veterans, and students of all ages.

Additional information about the Center for the Arts renovation is available on the Give Voice initiative website. Project specifics including the renovation timeline will be announced at a later date and updated on the website.

Power the Possible

In This Story

Rick Davis

Gregory Washington

Topics

Mason Now: Power the Possible

Mason Now campaign

College of Visual and Performing Arts (CVPA)

Center for the Arts

Mason Arts

Campus News

Mason Arts Amplified Releases New Content, including performances by the Royal Philharmonic Orchestra, Cirque Kalabanté, and more!

Laura Mertens — Thu, 16 Jan 2025 15:57:45 +0000

Mason Arts Amplified Releases New Content, including performances by the Royal Philharmonic Orchestra, Cirque Kalabanté, and more! Laura Mertens Thu, 01/16/2025 - 10:57

Rising star British pianist Isata Kanneh-Mason performs Prokofiev's Piano Concerto No. 3 with the Royal Philharmonic Orchestra at the Center for the Arts on January 28, 2024.

New content will launch throughout January 2025 on Mason Arts Amplified, Mason Arts’s digital venue that features live and on-demand performances, lectures, behind-the-scenes talks, and more from George Mason �鶹��’s Center for the Arts, the Hylton Performing Arts Center, and College of Visual and Performing Arts.

The limited-release recording of the London-based Royal Philharmonic Orchestra (RPO), featuring “phenom” (San Francisco Chronicle) British pianist Isata Kanneh-Mason, will is available to watch through February 16 at 11:59 p.m. ET. Recorded in front of a live audience at the Center for the Arts under the direction of Maestro Vasily Petrenko on January 28, 2024, the program featured Kanneh-Mason’s powerful performance of Prokofiev’s popular Piano Concerto No. 3 in C major, Op. 26, “a dazzling kaleidoscope of a piece” (The Times). Repertoire also included Debussy’s Danse (orch. by Ravel) and Rimsky-Korsakov’s beloved Scheherazade, Op. 35, culminating in a standing ovation from the crowd. The concert was described by an attendee as “one of the best concerts we ever experienced at the center.” Another audience member declared, “This performance has to rank among the 25 best I have ever seen.”

“Notable for the beauty of the orchestral sound” (The Guardian), the RPO made its triumphant return to the Center for the Arts—having performed there previously in 2022—with rising star Kanneh-Mason, who served as the RPO’s 2022/2023 Artist-in-Residence and has been hailed by BBC Music Magazine as “a pianist who makes lines sing beautifully and virtuosic passages dance, finding intimacy and eloquence at telling moments.” The eldest of a famous family of seven musically gifted siblings who have been featured on CBS Sunday Morning, Kanneh-Mason performed with Sir Elton John in Los Angeles in 2013, inspiring the pop icon to pay her tuition at the Royal Academy of Music. She has since performed as guest soloist also with the Philadelphia Orchestra, Cleveland Orchestra, Toronto Symphony, and Stockholm Philharmonic, among others; and recorded four solo albums for the Decca Classics label. She recently performed an NPR Tiny Desk Concer t that aired Jauary 7, 2025.

Read Isata Kanneh-Mason’s advance Q&A with WETA Classical about the Prokofiev and her performance at the Center for the Arts. The performance, which was sponsored by the Tom and Evelyn Kiley Fund, is available on Mason Arts Amplified for $15.

Cirque Kalabanté performs Afrique en Cirque, which was recorded at the Hylton Performing Arts Center in November 2024.

Also available on January 16, 2025 at 1 p.m. ET is the limited release performance by Cirque Kalabanté, recorded in front of a live audience on November 16 and 17, 2024 at the Hylton Performing Arts Center’s Merchant Hall in Manassas, Virginia, on George Mason �鶹��’s Science and Technology Campus. This performance is also available to watch through February 16 at 11:59 p.m. ET.

Cirque Kalabanté’s multisensory extravaganza, Afrique en Cirque, delivers a unique fusion of African arts and European circus traditions. Daring acrobats and dancers perform gravity-defying feats accompanied by the pulsating rhythms of a live Afro jazz ensemble. Inspired by life in his native Guinea, the founder of Cirque Kalabanté Yamoussa Bangoura created Afrique en Cirque to celebrate the vitality, joy, and beauty of African culture. “Explosive drumming and dance routines, the group delivered mind-blowing acrobatic sequences with extraordinary precision” (Vice Magazine). The performance is available for $15.

Accessibility as Inclusion participants from left: Moderator Niyati Dhokai, program director for the Veterans and the Arts Initiative at George Mason, and panelists Amanda Loerch, captioner with c2 and director of patron services at Sixth & I; Betty Siegel, director of the Office of Accessibility and VSA at The John F. Kennedy Center for the Performing Arts; Ermyn King, audio describer, consultant, and arts educator; and Rachael Abbott, actor, theater artist, and advocate.

Additional College of Visual and Performing Arts events released in January will include the Accessibility as Inclusion: Panel Conversation, exploring strategies and practices arts spaces can utilize to provide fully accessible arts programming, and how these techniques impact the audience’s sense of inclusion and belonging. Available on January 23, 2025, at 1 p.m. ET for free, this discussion was recorded live on November 13, 2024, at the Center for the Arts, moderated by Niyati Dhokai, program director for the Veterans and the Arts Initiative at George Mason. Panelists included Amanda Loerch, captioner with c2 and director of patron services at Sixth & I; Betty Siegel, director of the Office of Accessibility and VSA at The John F. Kennedy Center for the Performing Arts; Ermyn King, audio describer, consultant, and arts educator; and Rachael Abbott, actor, theater artist, and advocate.

Then on January 30, 2025 at 1 p.m. ET, the Legends and Legacies event presented by The LIVE Center (The Center for Live Interactive Virtual Education) and George Mason’s College of Visual and Performing Arts. In this first installment of the LIVE Center’s new Legends and Legacies series, which celebrates the leading artists of our time, Tony Award-nominated performers and husband-wife duo Terrence Mann and Charlotte d'Amboise participated in a virtual discussion (streamed in real time from the National Dance Institute in New York and projected onstage at the Harris Theatre on George Mason’s Fairfax Campus, moderated live by George Mason's School of Theater Professor Edward Gero.

The Mason Arts Amplified platform—formerly known as Mason Arts at Home, launched in April 2020 during the pandemic—gives digital audiences the opportunity to experience the work that takes place across our campuses. Digital programs include pre-performance discussions with world renowned artists like choreographer Mark Morris; the “Silkroad and the American Railroad” course, produced in collaboration with the Silkroad Ensemble and the 92nd Street Y; performances by Mason Jazz, Mason Opera, Mason School of Theater, and much more.

Create a free account and explore enriching Mason Arts content from anywhere.

View January 2025 releases on Mason Arts Amplified

Explore our digital venue

Topics

College of Visual and Performing Arts (CVPA)

Campus News

Metro’s Art in Transit Program showcases George Mason students' work

Colleen Rich — Wed, 04 Dec 2024 19:33:02 +0000

Metro’s Art in Transit Program showcases George Mason students' work Colleen Rich Wed, 12/04/2024 - 14:33

Four students in George Mason �鶹��’s College of Visual and Performing Arts (CVPA) will have original animations displayed on screens in six Metro stations as part of the Washington Metropolitan Area Transit Authority’s (WMATA) Art in Transit Program, beginning the first week of December 2024.

These George Mason student animations will be on rotation in the Metro stations for a full year. Photo by the Art in Transit Program

These animations will be on rotation in the stations for a full year. Additionally, through a new five-year partnership with Metro, CVPA students from the School of Art and Film and Video Studies and Computer Game Design Programs, will have ongoing opportunities to participate in this innovative learning experience.

The process began in fall 2023, when School of Art Professor Gail Scott White, Film and Video Studies Adjunct Rebekah Wingert-Jabi, and Film and Video Studies Program Director Cynthia Fuchs met with Metro’s Art in Transit team to discuss how George Mason students could participate in the WMATA’s digital art initiative.

“From the very first meeting, I was drawn to the Art in Transit Program’s evolving nexus of art, culture, and community,” said White. “It seemed like the perfect experiential learning opportunity for CVPA students to work through the processes of idea generation and concept development, receive individual mentorship, and to create frame-by-frame animations of their own design that would be publicly displayed, reaching Metro viewers from all walks of life.”

In spring 2024, White reached out to current CVPA students—computer game design major Valeria Hunt and art and visual technology majors Taka Hunter, Joseph Cameron Rhodes Murdock, and Jennifer Perez—about joining a pilot program, in which each would create a 20-second animation to be displayed on screens in the Crystal City, Farragut North, NoMa–Gallaudet U, Gallery Place–Chinatown, L'Enfant Plaza, and Metro Center stations. The students began working in earnest on their projects in the summer and early fall of 2024.

Here the CVPA students talk about their work:

Valeria Hunt, Man with the Suitcase

“My stop-motion cut-out animation, Man with the Suitcase, portrays moments from everyday life that many people can relate to. I used watercolors and ink, scissors and glue, found materials, facial expressions, and physical gestures to visually engage and emotionally connect with the viewer. Inspired by personal experiences and observations of social interactions, this short film encourages viewers to reflect on their own experiences of human nonverbal communications. Man with the Suitcase is about daily struggles, with a touch of humor to help us get through the day.”

Taka Hunter, Ichi Nichi

“Ichi Nichi (One Day) is a short piece made up of day-to-day moments. Animated in Clip Studio Paint, the work features a set of characters inspired by treasured experiences and people in my life. Through my art I aim to appreciate every person’s pursuit of happiness and the inherent beauty of our mundane lives. I hope that viewers can connect with elements of the work in whatever small way. If there’s anything I want to achieve with Ichi Nichi, it’s to make someone feel seen.”

Joseph Cameron Rhodes Murdock, The Magnificent Pixie Titans and the Workshop Varmint

“In this animation, the Wessel, a small creature who loves shiny objects and getting into mischief, breaks into a magic workshop and wreaks havoc. The Magnificent Pixie Titans use their magic to outfox the Wessel and restore order. My greatest joy is to create inhabitants of worlds, not just creatures that look cool but ones that have purpose. I love weird and kooky creatures, from mythology, fantasy, sci-fi, or just reality. Encouraged by my sci-fi loving mother, I grew up reading global folklore and myths. Every creature in those tales had a narrative purpose and a natural place in the worlds they inhabited—just like the Wessel and the Pixie Titans.”

Jennifer Perez, Stardust Playground

“Stardust Playground is a fantastical, loose reimagining of a childhood memory of a family trip to a swimming pool. In this animation, the pool is outer space while the characters are animals. I am played by a penguin. I chose the other three animals—the acrobatic ferret, a high energy dog, and a cat who is cool and calm—for their exquisite movements and behavioral traits. These free-spirited animal characters joyfully play in zero gravity among the stars.”

The Art in Transit Program enhances the experience of customers, communities, and the Capital region by incorporating visual and performing arts experiences into the Metrorail system and Metro facilities. With Metrorail serving nearly half a million commuters every weekday, on average, the talents of these four CVPA students will reach an exponentially increasing number of people in the region while contributing to the program’s enriching mission.

This new partnership with Metro exemplifies the kinds of connections and opportunities uniquely offered to students as part of their educational experience within CVPA. Other examples include the Murals at Mason program by Mason Exhibitions, which develops and manages contracts for local artists—often CVPA students and alumni—with public art opportunities in the Washington, D.C., area; the Film and Video Studies Program’s traveling showcase of student films each fall—Best of Film at Mason—with free public screenings at various locations, including a recurring fall showcase during the Washington West Film Festival; and the Reva and Sid Dewberry Family School of Music’s Mason Music Productions, which manages opportunities for student musicians to be hired for private and public events. Faculty and staff throughout CVPA actively explore and create hand-on experiences for students, from supporting research and scholarly activities to curating showcases of student work in local galleries and museums and hiring students as members of production teams that travel the world.

The Art in Transit Program’s Digital Art Initiative was launched in 2018 to develop partnerships with local arts organizations and institutions to facilitate the presentation of original digital artworks for Metro's digital displays at the following stations—Crystal City, Farragut North, NoMa-Gallaudet U, Gallery Place-Chinatown, L'Enfant Plaza, and Metro Center.

Check out the College of Visual and Performing Arts

Join the Mason Nation

Mason Korea launches Korea Serious Game Institute

Colleen Rich — Mon, 02 Dec 2024 14:46:23 +0000

Mason Korea launches Korea Serious Game Institute Colleen Rich Mon, 12/02/2024 - 09:46

Mason Korea recently hosted the opening ceremony for its Korea Serious Game Institute (KSGI), marking the global expansion of George Mason �鶹��’s Virginia Serious Game Institute (VSGI), which celebrated its 10th anniversary this year. KSGI is set to lead innovation in Korea's gaming industry while advancing the use of serious games in education, therapy, and social awareness.

A panel discussion following the event focused on the role of artificial intelligence and emerging technologies in shaping the gaming industry and propelling the development of serious games. Participating were (l-r) James Casey, Associate Professor of Computer Game Design and Co-Director of VSGI; Rick Davis, dean of the College of Visual and Performing Arts; Sang Nam, Computer Game Design program director and do-director of VSGI; Jinsoo Jeon, former CEO of Superlabs; and Sun Kyun Moon, Education Lead at Microsoft Korea. Photo by Mason Korea

Professor Sang Nam, director of George Mason's Computer Game Design Program and codirector of VSGI, has been appointed as KSGI’s inaugural director. The institute will work closely with Mason Korea’s Industry-�鶹�� Collaboration Foundation to drive its mission forward.

More than 120 distinguished guests attended the ceremony, including Rep. Ahn Cheol-soo of the National Assembly; Yun Won-seok, commissioner of the Incheon Free Economic Zone Authority (IFEZA); Park Byung-geun, CEO of the IGC Foundation; Rick Davis, dean of the College of Visual and Performing Arts; Professor Kim Mi-kyung from Seoul National �鶹�� College of Medicine; and Lim Ji-hyun, former vice president of Kakao Games.

“Serious games go beyond entertainment to unlock possibilities in education, rehabilitation, and raising social awareness,” said Ahn, who is a medical doctor, businessperson, and software entrepreneur. “KSGI will play a pivotal role in driving this transformation.”

College of Visual and Performing Arts dean Rick Davis spoke at the opening ceremony. Photo by Mason Korea

Ahn expressed hope that KSGI would contribute significantly to Korea’s gaming industry while advancing education and health initiatives. He also emphasized the need for collaboration to fully realize the potential of serious games in Korea.

IFEZA Commissioner Yun Won-seok said the institute would be a new growth engine for Korea’s gaming industry. “This initiative continues the MOU for promoting industry-academia collaboration. I hope KSGI leverages resources from the U.S. campus to enhance local business competitiveness and achieve greater vision.”

Other speakers, including Don Marinelli, co-founder of Carnegie Mellon �鶹��’s Entertainment Technology Center, expressed optimism about KSGI’s potential to drive innovation in both South Korea and the global gaming community.

Following the ceremony, Professor Kim Mi-kyung and her students from Seoul National �鶹��’s Department of Forensic Medicine held discussions on practical applications of serious games in forensic science. Kim highlighted the potential of serious games to revolutionize forensic education and research, underscoring KSGI’s capacity to develop effective tools for training and field investigations. The institute is actively exploring how real-world scenario-based learning through serious games can enhance field-response capabilities.

A panel discussion on “Next-Generation Games: Emerging Technologies and Global Trends” was a key highlight of the event. Moderated by Nam, the panel featured Davis; James Casey, associate professor of computer game design and codirector of VSGI; Jeon Jinsoo, former CEO of Superlabs; and Sun Kyun Moon, education lead at Microsoft Korea. The discussion focused on the role of artificial intelligence (AI) and emerging technologies in shaping the gaming industry and propelling the development of serious games.

“KSGI will serve as a vital platform connecting Korea and the world by tackling educational challenges and addressing social issues through serious games,” said Mason Korea Campus Dean Joshua Park. “Mason Korea is committed to supporting the development of serious games in Korea, enabling them to create meaningful social impact across diverse domains."

The Latest from Mason Korea

Topics

Mason Korea

Campus News

College of Visual and Performing Arts (CVPA)

Virginia Serious Game Institute

Korea Serious Game Institute

Strategic Direction

College of Visual and Performing Arts (CVPA)

Remembering William Reeder, College of Visual and Performing Arts founding dean

Topics

New art course teaches students how to think differently about design

In This Story

Related News

Topics

Mason Korea to Host 2025 Korea-US-Japan eSports Tournament

In This Story

Visit Mason Korea

Related Stories

Topics

Renowned American Composer Joins the Dewberry School of Music for a Mason Opera Residency

In This Story

Residency events open to the public include:

Topics

Design students collaborate with Stillhouse Press to create potential covers for new novel

Discover more about Stillhouse Press

Related News

Topics

CVPA Announces Recipients of the 2025 Young Alumni Commissioning Project Awards

Brianna Camp

Marina Vianello

About the 2025 Award Recipients

In This Story

Learn More About the Young Alumni Commissioning Project

Connect with the College of Visual and Performing Arts

Related News

Topics

The College of Visual and Performing Arts Launches Initiative to Renovate Center for the Arts

In This Story

More on the Give Voice Initiative

Related News

Topics

Mason Arts Amplified Releases New Content, including performances by the Royal Philharmonic Orchestra, Cirque Kalabanté, and more!

View January 2025 releases on Mason Arts Amplified

Explore our digital venue

Related Stories

Topics

Metro’s Art in Transit Program showcases George Mason students' work

Valeria Hunt, Man with the Suitcase

Taka Hunter, Ichi Nichi

Joseph Cameron Rhodes Murdock, The Magnificent Pixie Titans and the Workshop Varmint

Jennifer Perez, Stardust Playground

Check out the College of Visual and Performing Arts

Join the Mason Nation

Related News

More from Mason Spirit Magazine

Mason Korea launches Korea Serious Game Institute

The Latest from Mason Korea

Related Stories

Topics